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Released 2004

One might assume that only the most rabid fan of the Allman Brothers would shell out the cash for this live box set cobbled together by the Instant Live concert souvenir mongers and the ABB merchandisers at Hittin' the Note. After all, there are nine discs combining three separate Instant Live sets here; you could put the first one on with darkness falling in the early evening and finish the last disc with the first rays of the morning sun streaming in your window. "Play all night!" indeed. And yet despite the hours of music and the somewhat hefty price tag, The Fox Box sold out its initial 2004 run before being re-released in late 2005. The set's apparent popularity is at least somewhat understandable, particularly among those seeking immersion in the kind of sprawling experience associated with the band in its heyday. After all, as demonstrated by classic double-disc vinyl sets like At Fillmore East and Eat a Peach, back then the Allmans played with such inspiration, expressiveness, and fire that no one would want to wrench them from the stage until they had wrung every last note from their axes, no matter how long it took. Given that the early-2000s band had its strongest lineup in years, a really extended live showcase (dwarfing the One Way Out double-CD set) might seem warranted to some -- and The Fox Box would surely seem to fit the bill. The box does make a certain amount of sense from a packaging perspective (although the physical package itself is pretty cheap and cheesy). During their 2004 tour the Allmans could fill up three nights of music with very little repetition, so when they arrived at the Fox Theatre in Atlanta for a three-night run from September 24 through 26, they were able to bring a slew of different music to the ears of the faithful each night. There is some repetition -- three versions of "Dreams" that don't differ substantially from one another and, most egregiously for the home listener, two of those very long drum breaks that really must be experienced live to be appreciated -- but for the most part these nine discs tend not to overlap. Most importantly, there is often true inspiration in the playing and the choice of material, not to mention some genuine unpredictability amidst the sprawl. On the first night, the Allmans bookended their show with the beginning and ending of "Mountain Jam," originally split between two sides of Eat a Peach, and the next night featured a similar decision, as they bracketed the show with the introduction and main body of "Les Brers in A Minor." Overall, the music is a nice mix of tried-and-true warhorses, then-recent material from their Hittin' the Note CD, and the occasional cover such as "I Walk on Guilded Splinters" and "The Night They Drove Old Dixie Down." Derek & the Dominos' "Why Does Love Have to Be So Sad?" seguing directly into the Dead's "Franklin's Tower" -- with a nice vocal from Oteil Burbridge and "Blue Sky" quotes from the guitars -- is a particularly potent pairing, and "Layla" -- featuring Derek Trucks on slide -- rightfully reclaims the tune as part of the Allman legacy, although the band tends to push the beautiful extended coda just a bit too far into the red. The band is on fire on the first disc of the September 26 show (including "Revival," "Every Hungry Woman," "Hoochie Coochie Man," and "End of the Line"); a fearsomely intense level of energy is achieved during Warren Haynes' "Elizabeth Reed" solo; and the interplay between guitarists Trucks, Haynes, and Jack Pearson on the "Mountain Jam" reprise is pure musical bliss, nostalgic perhaps but that's just fine, as memories of the most beautiful call-and-response dialogues between Duane and Dickey are conjured up. And speaking of Dickey Betts, his finest early songs are here even if his guitar and singing aren't, and Gregg Allman's vocals, quite frankly, provide some soulful heft to a countrified classic like "Blue Sky" without weighing the tune down. Still, the Instant Live approach has its shortcomings. The band is recorded well, but whoever is responsible for miking the audience on these recordings, apparently to make sure there is plenty of concert ambience, should either turn those mikes down or unplug the damn things completely. As in the early days, this band is capable of some subtlety, but unlike those early days, certain members of the 21st century audience apparently feel that quieter moments are precisely the best times to scream their friggin' heads off. Hey, everybody loves a party, but why give these particular crazies such prominence in the mix? (Oh, that's right -- they're the ones buying the CDs after the show is over.) Track indexing can also be problematic: the "Mountain Jam" reprise is needlessly split in two, and it would be nice to have the alternative of programming out the drum break that stretches an otherwise killer "Elizabeth Reed" out past the 30-minute mark (and a hot little blues-rocker like "Black Hearted Woman" nearly hits half an hour for the same reason). For the home listener, those drum breaks provide rare examples of the Allmans stretching their jams past inspiration and into longwindedness. Regardless, The Fox Box showcases practically everything that the 21st century Allmans could present at their most epic, revealing a band in astoundingly good shape 35 years after its founding. Hearing the group stretch out in 2004 can be a wonderful experience, although if you pop for The Fox Box you might ultimately wish you could edit portions out. There's an absolutely classic four- or five-CD set here, scattered inconveniently across twice as many discs. Unfortunately, the Instant Live concept makes the best stuff difficult to isolate, and The Fox Box is thus a strange mixture of joy and aggravation. ~ Dave Lynch, All Music Guide

TRACKS

1. Mountain Jam
2. Trouble No More
3. Midnight Rider
4. Wasted Words
5. Worried Down with the Blues
6. You Don't Love Me
7. Ain't Wastin' Time No More

DISC 2

8. Rockin' Horse
9. Hot 'Lanta
10. Melissa
11. Come and Go Blues
12. Can't Lose What You Never Had
13. Why Does Love Got to Be So Sad?
14. Franklin's Tower

DISC 3

15. Black Hearted Woman
16. Dreams
17. Mountain Jam (Reprise)
18. Mountain Jam (Reprise) [Continued]
19. Crowd Noise
20. Southbound

DISC 4

21. Les Brers in A Minor (Intro)
22. Don't Want You No More/It's Not My Cross to Bear
23. Statesboro Blues
24. Stand Back
25. Who's Been Talking
26. Soulshine
27. Good Clean Fun
28. Old Before My Time
29. Woman Across the River

DISC 5

30. Instrumental Illness
31. The Night They Drove Old Dixie Down
32. Leave My Blues at Home
33. Key to the Highway
34. Don't Think Twice
35. One Way Out

DISC 6

36. Blue Sky
37. Dreams
38. Les Brers in A Minor
39. Layla

DISC 7

40. Revival
41. Every Hungry Woman
42. Done Somebody Wrong
43. Hoochie Coochie Man
44. Desdemona
45. High Cost of Low Living
46. 44 Blues
47. End of the Line

DISC 8

48. Dreams
49. I Walk on Guilded Splinters
50. Stormy Monday
51. The Same Thing

DISC 9

52. In Memory of Elizabeth Reed
53. Georgia on My Mind/In Memory of Elizabeth Reed [Continued]
54. Don't Keep Me Wonderin'
55. No One to Run With
56. Whipping Post

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